Lakeview Congregational Church

What exactly is a

THEATER ORGAN

and how is it different from a

Church Pipe Organ?

    We could give you a simple, slightly humorous answer and say that it's a pipe organ in a theater, but in actuality, the words theater pipe organ refer to a special class of instruments which were designed to be substitutes for an or-chestra to provide a musical accompaniment along with suitable instrumental and other sound effects to enhance the overall experience of viewing a silent movie. After 1928 when talking pictures were developed, the need for theater organs declined significantly and the production of these wonderful instruments halted almost entirely within the following few years. Companies whose business primarily involved the manufacture of theater organs either went out of business or turned to other endeavors to survive.
    The theater pipe organ differs in a number of ways from the typical classic church organ. The first difference, and perhaps the most important, is that each separate set or rank of pipes is treated as an independent unit. To understand this, let's look first at a typical church pipe organ. The church organ consists usually of several divisions, each containing a number of different ranks of organ pipes. Each division of a church organ is controlled by a particular keyboard, or the bass pedals, and each may be considered in a sense to be an individual "mini" organ. This is why you will usually find at least two and sometimes three or four keyboards on pipe organs. The ranks of pipes of each division belong to that specific division. These ranks of pipes may not be played individually from the keyboards of other divisions, although an entire division may be connected to play from another keyboard by means of a control called a coupler.

    On a theater organ, we will also find two or more keyboards and bass pedals, but each rank of pipes may be independently played on any keyboard. Fur-thermore, we will also find that by means of suitable controls, we may inde-pendently select the point at which we can "tap into" each set of pipes. Thus, we could have key number one play pipe number one of a particular rank. Or, we could have key number one play pipe number thirteen, which is the next octave up. A little thought on this will show that the treatment of specific ranks of pipes as completely independent units lets you have much greater tonal versatility for a given number of ranks. For the complex orchestral effects that movie accom-paniment required, this system was necessary.
    Another difference between the church pipe organ and the theater pipe organ is the inclusion of many different percussion instruments and sound effects. As you look at the pictures on this web site that detail various aspects of this particular theater organ, you will see these devices as they appear in the instrument. Still another attribute of the theater organ is that the air pressure which sounds the pipes is much higher than the pressure you would find in a church pipe organ. This was done for several reasons. First it makes the instrument somewhat louder. It makes the response of the pipes faster. It improves the realism of pipes that imitate brass instruments such as tubas and trumpets as well as woodwinds and strings, and, in the theater organ, air pressure is also the motive power to perform many mechanical operational tasks.
    The control of the instrument is electrical, but the motive power to open pipe valves, to operate the various strikers of the percussion instruments, and to actuate the various other instrumental and sound effects is air pressure. If you are going to use air pressure to perform mechanical work, it is advantageous to have higher pressures rather than lower pressures as it allows the use of smaller mechanisms which also respond more quickly. Return to the previous page, or continue on to see pictures of the Lakeview Congregational Church Kilgen organ and to see what the restoration of the instrument involves. Be sure to check this web site at least on a weekly basis to follow the progress as we continue the restoration

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